In the old days of video, what we saw was what we got. Now, with log and raw, the possibilities are infinite. Only one of those possibilities, though, is what YOU want. Here’s how to make sure your vision is the one everyone else sees.

We live in a digital intermediate/telecine world, which is wonderful as we can shoot HD and expect our footage to end up in a grading suite, where the number of looks available is nearly endless.

The downside is that the look we envisioned is not always the look that’s created by a dailies colorist.

If dailies don’t resemble the look we’ve promised then our days on the job may be numbered. The director and producer may decide that we can’t give them...

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